FIRST TIME OUT: Running After the Sparrows
(NOTE: If
anybody steals a horse,/Blame it on the Kellys!/Anybody breaks the law,/Blame
it on the Kellys!/If anyone does something new,/Or does what you would like to
do,/And if the troopers don’t know who/They’ll blame it on the Kellys.)
A constant, or at least regular, reader writes in: Can you point me in the right direction?
I just finished my first novel, had a friend do an edit, and gone over it again
myself. What is my next step?
The greatest pleasure in the making of books is writing, and
even greater is the completion of your very first novel. You may have gone
through the agony of quitting halfway through others, but this manuscript is
finished and able to stand on its own wobbly legs. What comes next will decide
its future. Be prepared for lots of work.
DEFINE YOUR TERMS
For those writing genre fiction, know your genre. Submitting
a manuscript as a hard-boiled dystopian fantasy thriller causes confusion for
everyone involved. The Book Industry Study Group site at www.bisg.org shows the
BISAC subject codes. Books are classified according to subject, and the list
for fiction is long. Pick yours and stick with it. Having the right genre also
narrows down the number of agents to contact, specialization being very
important. You may be asked for marketing materials specific to your chosen
genre and it’s best to know the audience and where they can be found.
GET THEE TO AN EDITOR
Unless your friend is an experienced editor, you have to
find one. Agents and editors at publishing houses want a manuscript that is
clean, direct, and ready for the marketplace. Anything else from a first-time
writer, especially a writer without name recognition, will be ignored. A
freelance editor will find any plot holes, problems with character development,
and shine your prose, as well as help with adjunct materials like the synopsis
and query letter if you ask nice. The manuscript needs to be edited before contacting
an agent. When they show interest, you have to be ready with a manuscript that
will cause them to miss their subway stop or stay up all night turning pages.
This is your only chance to make a good impression and has to count.
The writer may dress well, but it is the editor’s duty to
tell him or her to tuck in their shirt. Spend the money on an editor with
experience inside publishing. The cheapest is rarely worth the cost, and
without the background can only guess at what agents and editors want. Find an
editor you want to work with, have them read through the manuscript to do an
estimate, and ask for a sample edit of the opening five pages. Good editors are
often thanked in the acknowledgments of the books they worked on; great editors
are usually writing books about being an editor.
ALWAYS WITH THE HAND OUT
Pay your editor on time. Even though they enjoy their
profession, never expect an editor to work without reasonable compensation.
They have rent and telephone and sometimes food bills like everyone else. A
good editor reads the new books in their field as they come out, spends
precious shower time worrying over chapter breaks, and ignores friends and
partners to keep to your schedule. Return the favor with a check, and drop them
the occasional email to let them know of your progress.
TENDER HELP IN ROUGH TIMES
Ah, the cocktail circuit with its elegant participants, frothy
drinks poured from gleaming chrome shakers, trays of canapés, and dancing
into the early morning hours. None of this has anything to do with writing or
publishing books. Sorry. For the real, absolute, no lies, honest, and
one-hundred-percent truth about writing and publishing, you have to sit alone
in a darkened room with a copy of The
Dog Walked Down the Street: An Outspoken Guide for Writers Who Want to Publish
(Cypress House, $13.95). Before pulling the shades, keystroke on over to www.indiebound.com
for the independent bookstore near you. The man or woman behind the register
understands your plight, and can recommend several other, more helpful,
delusions than the one above. A closer call would be missed.
NEXT: Paper Training the Wolfhound
Labels: editing, editors, first-time novelists, Shel Silverstein
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